Read the full interview here. Excerpts from the interview:
“Ishaan met Mrinalini initially because Bombaykala was interested in publishing her book of jazz poetry, A Bombay In My Beat. They landed up publishing her book, by the way! The team really enjoyed working with her, and she seemed to be the right fit as the team expanded at Bombaykala Books. “She’s really passionate and knows exactly what goes where. She handles poetry (or anything to do with literature) with such poise and grace. Mrinalini is curating a series of anthologies and commissioning a slew of books for Bombaykala Books. She’s also got great experience in dealing with the genre we call creative nonfiction now in her many years as a magazine editor.” What Ishaan also likes about Mrinalini’s poetic practice is that it is innovation that is not built on provocation. Provocation is the staple of avant-gardists throughout, from Hugo Ball’s poetry of nonsense to José Clemente Orozco’s The Epic of American Civilization. This is similar to what Ishaan want for Bombaykala Books- “for us to change, without unnecessary provocation, and in a manner that is decidedly less brash and more systematic. It requires a certain personality and demeanour to do that, one that is far less based off sentimentality and knee-jerk reactions, and more focused on a developed and more heightened sense of working and writing.”
What is the focus?
The focus is to create a literature around a city, but also to publish stories that pique our interest. I’m looking for stories that are authentic, and in some way, have a go at the epistemological roots of what we know. To that end, I’ve published collections of war poetry from a former consular officer for Bosnia during the Yugoslav wars, who saw what was happen first hand. Tomorrow It Will All Run Backwards is the story of war told through poetry, which makes for far more emotive reading than, let’s say, AJP Taylor, who’s as close as we get to great writing in History.
What are your plans for the next few years?
We want to publish a book a fortnight this year without diluting quality of any kind. I think that’s the most important part. We’re also exploring other ways to bring books to readers- audio books, multimedia expansions. I think at this point in time, planning wise the sky is the limit, but only time will tell what we can do.
Now that Mrinalini and I are both commissioning, there should be a lot more diversity in the approach to books, yielding some interesting stuff.
Why did you decide to publish poetry apart from mainstream literature?
For me it was never an either-or situation. We launched Bombaykala Books with a book of Hindi poetry, Ek Chotisi Dibiya, and a set of short stories that works as a novel, A City of Sungazers. I’ve never looked at poetry as anything lesser than or different to mainstream literature. It is ultimately a form of literature, one that tells stories in a way that can be as visceral (or more) than “mainstream literature.”